Description
The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.
Quick Comparison
| Settings | Helm tonbak of ordinary spikes (24,26,5,28) remove | Eight-songs-for-dulcimer remove | Book of Ten Pieces for Tar Volume 2 remove | The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour remove | Tar and Setar introductory recipe book remove | Darvish Khan Collection of Books remove |
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| SKU | skua-134000203461 | |||||
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| Content | The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past. | The composer writes in the introduction of issue 4 of this collection: "The pieces of this book are a selection of works that were composed between 1985 and 1997." The 400 pieces that have been published so far can be divided into two groups: Pieces made to practice and improve the skills of musicians. ۲. "Pieces that are innovative in terms of structure are forms that have free and mixed rhythms that have been formed by the movement of psyches, compared to the unnatural restrictions that have been applied to calibration in Iranian music since the last century." | The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar. | Notation of Darvish Khan works by Arshad Tahmasebi. In the introduction of the book, the author states: "What I wanted to do was to collect and make available the works of Iranian composers and Darvishkhan as the first of them. . I hope this important thing is done. A collection of Darvish Khan works is now being published according to the list given by Master Ruhollah Khaleghi in his book (History of Iranian Music). There are differences in the narration of the works of the past. "I have tried to cite the most accurate narrations from Darwish Khan's works." This collection has been recorded and performed separately in the form of a CD by Arshad Tahmasebi. | ||
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