Tonbak is a professional piece of Helmi

skua-1298300253456

Description

The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran.

Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time.

In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.

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SettingsTonbak is a professional piece of Helmi removeDaf training from beginner to excellent Siamak Azizzadeh removeThe book of fifteen pieces for tar and setar - Jalil Shahnaz removeBook of John Mary removeHezar Dastan (40 Santour Songs) removeThe book is twenty-five pieces in advance remove
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ContentThe Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.General chapters of the book:
  • Def training
  • Daf officials
  • A look at rhythms and rhythm theory
  • Seventy-five pieces of daf solo
Based on the available evidence and works, it is possible to understand the long history of the daf and history shows that the passage of time has changed its appearance and music. The emergence of a new style of music, which can be called mystical music, led to the presence of this instrument in the field of traditional Iranian music, but most people knew and imagined the daf as a rhythm inducer and accompaniment of other instruments in music groups. Its solo capability is very limited. The maneuverability of the instrument was also limited to monastic rhythms or daf instruments. Daf training from beginner to advanced Siamak Azizzadeh has been written in order to change this type of attitude and highlight the daf solo dimension. This collection is the first book in which daf solo in different parts of daf and education are collected together. In writing the book of daf training from beginner to excellent Siamak Azizzadeh, a single line carrier has been used. The main reason for this choice is as follows: All over the world, carrier lines have a defined frequency.
 
     
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