Description
The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.
Quick Comparison
| Settings | Fiberglass or wick tonbak (victim) remove | Yadegharan .40 ghatae .tarane. baray .santor remove | Golnar (30 ballads and songs for santur) remove | Darvish Khan Collection of Books remove | Book of Ten Pieces for Tar Volume 2 remove | Hezar Dastan (40 Santour Songs) remove |
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| Content | The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past. | Product Features: Weight: 500 g Dimensions: 34 × 24 × 1 cm General category Main topic: Art Sub-theme: Music Author: Peshang Kamkar, Mojtaba Zamani Book cut: Rahli Book cover: Paperback | Notation of Darvish Khan works by Arshad Tahmasebi. In the introduction of the book, the author states: "What I wanted to do was to collect and make available the works of Iranian composers and Darvishkhan as the first of them. . I hope this important thing is done. A collection of Darvish Khan works is now being published according to the list given by Master Ruhollah Khaleghi in his book (History of Iranian Music). There are differences in the narration of the works of the past. "I have tried to cite the most accurate narrations from Darwish Khan's works." This collection has been recorded and performed separately in the form of a CD by Arshad Tahmasebi. | The composer writes in the introduction of issue 4 of this collection: "The pieces of this book are a selection of works that were composed between 1985 and 1997." The 400 pieces that have been published so far can be divided into two groups: Pieces made to practice and improve the skills of musicians. ۲. "Pieces that are innovative in terms of structure are forms that have free and mixed rhythms that have been formed by the movement of psyches, compared to the unnatural restrictions that have been applied to calibration in Iranian music since the last century." | ||
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