kimend majzob

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The Kim is a type of dulcimer or zither from Thailand, and is related to the Chinese yangqin. The instrument consists of a flat soundbox with 42 wire strings stretched across in 14 sets of 3. The courses are struck with two thin bamboo mallets with soft leather tips. The Kim is not a very loud instrument, and is typically played with a lot of tremolo. As there is no damping mechanism, the strings ring to their natural decay, and this gives an eerie resonance to the background of a Kim performance. The Kim is used in both solo and ensemble situations.

 

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Settingskimend majzob removeTanbur Master Khalil (Moaragh) removesetar Master hamidreza removeSetar Vahed removeTantar Majzob combine(Tanbur va Setr ) removeTar Aliyary remove
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ContentThe Kim is a type of dulcimer or zither from Thailand, and is related to the Chinese yangqin. The instrument consists of a flat soundbox with 42 wire strings stretched across in 14 sets of 3. The courses are struck with two thin bamboo mallets with soft leather tips. The Kim is not a very loud instrument, and is typically played with a lot of tremolo. As there is no damping mechanism, the strings ring to their natural decay, and this gives an eerie resonance to the background of a Kim performance. The Kim is used in both solo and ensemble situations.  
Seyed Khalil Alinezhad was a great master of the spiritual instrument tanbur, recognized as one of the best tanbur players ever known. Seyed Khalil was born in a Kurdish family in a Sahneh County village in the Kermanshah Province, in western Iran. He started his tanbur lessons with Seyed Nader Taheri and followed his studies under supervisions of Seyed Amrollah Shah Ebrahimi, Dervish Amir Hayati, and Master Abedin Khademi. He finished his academic studies in the 1970s from University of Tehran with a thesis titled “Tanbur – from the very beginning till now”. During his lifetime he became known as a spiritual leader of the mystic religion Ahl-e Haqq (People of truth), a religious tradition related to Sufism, Shia Islam, and Alevi traditions.
HOSSEIN ALIZADEH is considered an inspiration to an entire generation of Iran’s musical culture. He was born in Tehran in 1951, and has studied with various masters of traditional Persian music, including Ali Akbar Khan Shahnazi, Nur Ali Borumand, Abdollah Davami, Mahmood Karimi, and Houshang Zarif. He further expanded his formal education by studying composition and musicology at the University of Berlin. Alizadeh was awarded a position with the National Orchestra of Iran and later became the conductor and soloist of the Iranian National Radio and Television Orchestra. He founded the Aref Ensemble and performed with the Shayda Ensemble, both dedicated to the promotion and advancement of Iranian classical music. He also participated in the orchestra of the Béjart Ballet Company in a performance of Gulistan, by Maurice Béjart. In 2000, the Ministry of Culture in Iran declared him the best contemporary artist.Setar is a string or stringed instrument. In these musical instruments a stretched vibrating string produces the initial sound. They are called Chordophones as well. "Setâr" consists of "Se" and "Târ". The word "Târ" means string and the word "Se" means three in Persian and for this reason "Setâr" means a stringed instrument with three strings. Setar is a plucked string instrument and and the right index finger nail is used as a plectrum to pluck or strum the instrument. Setar is a fretted string instrument, thus the instrument has frets that have been tied on the neck. Setar is one of the main instruments of Persian art music.Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick. Based on 3 statues found in the ruins of Shoosh, Tanbur can be dated back to 1500 B.C. Persian Tanbur travelled through Iran and Syria to Turkey and Greece and further west to Egypt. The Egyptian version has an elliptical body. It is known that Tanbur was widely used during the Sasanid dynasty and even before that. Today, Tanbur is used in mystical circles to accompany the Darvishes’ chants and mantras and is usually accompanied by Daf on such occasions.Persian tar is a long necked, double-bowl body instrument. Persian Tar is a string or stringed instrument. It is the newest musical instrument of Persian folklor. It only dates back to 250 years ago. It's current form was developed in the 18th century. Iranians say that Tar is the sultan of instruments. It is strongly believed that Tar is the descendent of rubab which is played in Pakistan and Afghanistan. After is has been adopted to Persian art by the musicians it became a common urban instrument. The long and narrow neck of Tar has a flat fingerboard which ends with six wooden pegs. It has three courses of double "singing" strings which lies on the fingerboard There are also two pairs of shorter strings which is under the bass and over two small copper bridges on the upper side of the fingerboard. Tuning of these strings are variable according to the performer's taste.
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