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The Oud Instrument In the Arab origin, Oud is considered to be “the king of instruments”. It is assumed that the name al-oud is derived from the Arabic for “the wood” and came to Europe through North Africa. There will be nothing wrong to say that in Arab, the oud is considered to be the oldest musical instruments. In fact, it is the most central instrument in the Middle Eastern music tradition. Some others believe that it is the ancestor of the Pharaohnic Egyptian Nefer, whereas, some others say that this instrument is the forebear of the ancient Persian barbat. Beside this, oud is also known as the ancestor of the European lute.

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SettingsOyster ink incense oyster removesetar master mehrab removesetar Master khalil (Mosaic model) removeSetar Dawood Fashi removeTar Mohammad Hatami removesetar khati ustad khalil (Burning) remove
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ContentThe Oud Instrument In the Arab origin, Oud is considered to be “the king of instruments”. It is assumed that the name al-oud is derived from the Arabic for “the wood” and came to Europe through North Africa. There will be nothing wrong to say that in Arab, the oud is considered to be the oldest musical instruments. In fact, it is the most central instrument in the Middle Eastern music tradition. Some others believe that it is the ancestor of the Pharaohnic Egyptian Nefer, whereas, some others say that this instrument is the forebear of the ancient Persian barbat. Beside this, oud is also known as the ancestor of the European lute.Closeup star Mehrab has recently opened his own YouTube channel. He has released a video of his own song on it too. Mehrab is seen as a model in the video along with his wife Rushi Chowdhury. This was the first time that Mehrab worked as a model with his wife. The song is titled ‘Shono Na’. The music video was released on December 19. In addition to giving voice to the song, Mehrab himself composed the music. Shoaib Liaquat and Mehrab himself wrote the song. The video was made by Shoaib Liaquat. Mehrab is seen as an artiste in the romantic song. On the other hand, Rushi Chowdhury has been found as an ex-lover of the artiste! Mehrab said, “Frankly, after the wedding, Rushi has been more worried about my music career than me. Without her, many such songs would have been stuck in my studio, not seeing daylight. This time I didn't have to go down the field alone. I got her as a partner. Congratulations to Rushi, for taking time out of her personal life to share the screen with me. I've been getting a lot of response from viewers since the video was released.”Mohammad Omar Khalil (b. 1936), a painter, master printmaker and mentor, practicing since the 1960s, is one of the most significant artists of his generation from Sudan and the Arab world. A long overdue celebration of his life’s work, Homeland Under My Nails, is the first major UK solo exhibition of his work.Setar is a string or stringed instrument. In these musical instruments a stretched vibrating string produces the initial sound. They are called Chordophones as well. "Setar" consists of "Se" and "Tar". The word "Tar" means string and the word "Se" means three in Persian and for this reason "Setar" means a stringed instrument with three strings. Setar is a plucked string instrument and and the right index finger nail is used as a plectrum to pluck or strum the instrument. Setar is a fretted string instrument, thus the instrument has frets that have been tied on the neck. Setar is one of the main instruments of Persian art music.Persian tar is a long necked, double-bowl body instrument. Persian Tar is a string or stringed instrument. It is the newest musical instrument of Persian folklor. It only dates back to 250 years ago. It's current form was developed in the 18th century. Iranians say that Tar is the sultan of instruments. It is strongly believed that Tar is the descendent of rubab which is played in Pakistan and Afghanistan. After is has been adopted to Persian art by the musicians it became a common urban instrument. The long and narrow neck of Tar has a flat fingerboard which ends with six wooden pegs. It has three courses of double "singing" strings which lies on the fingerboard There are also two pairs of shorter strings which is under the bass and over two small copper bridges on the upper side of the fingerboard. Tuning of these strings are variable according to the performer's taste.Albumin is an appealing carrier in nanomedicine because of its unique features. First, it is the most abundant protein in plasma, endowing high biocompatibility, biodegradability, nonimmunogenicity, and safety for its clinical application. Second, albumin chemical structure and conformation allows interaction with many different drugs, potentially protecting them from elimination and metabolism in vivo, thus improving their pharmacokinetic properties. Finally, albumin can interact with receptors overexpressed in many diseased tissues and cells, providing a unique feature for active targeting of the disease site without the addition of specific ligands to the nanocarrier. For this reason, albumin, characterized by an extended serum half-life of around 19 days, has the potential of promoting half-life extension and targeted delivery of drugs. Therefore, this article focuses on the importance of albumin as a nanodrug delivery carrier for hydrophobic drugs, taking advantage of the passive as well as active targeting potential of this nanocarrier. Particular attention is paid to the breakthrough NAB-Technology, with emphasis on the advantages of Nab-Paclitaxel (Abraxane), compared to the solvent-based formulations of Paclitaxel, i.e., CrEL-paclitaxel (Taxol) in a clinical setting. Finally, the role of albumin in carrying anticancer compounds is depicted, with a particular focus on the albumin-based formulations that are currently undergoing clinical trials. The article sheds light on the power of an endogenous substance, such as albumin, as a drug delivery system, signifies the importance of the drug vehicle in drug performance in the biological systems, and highlights the possible future trends in the use of this drug delivery system.
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