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Rahim Daste Abnos

$944.00
$934.00

Out of stock

Description

Kamancheh’s bowl is spherical and the arm is fretless. His face is pulled from the veil of bovine liver, the skin of fish or camels. This musical instrument, which used to be 3-stringed, in other words, has now become 4-stringed. Kamancheh, one of the oldest musical instruments in Azerbaijan, is 70 cm tall. It has a chord system determined in accordance with the type of melodies and the authority read. The most commonly used chord in all this chord system is the 5-4-5 system. While the stem of Kamancheh is made of plum wood, its body is formed by carving the walnut wood. The walnut tree must be kept for a while in order to form its trunk. Its total weight is about 1-1.5. Springs are custom made. It is drawn only by hand, not with any apparatus such as a violin bow, and there are quite a lot of them. The springs are made of juniper wood, while the strands are made of horse hair. Holes are drilled in the front and back of the body and the front is covered with fish skin. The bows are wrapped around the bowl-shaped body and Kamancheh is completed. Even if Kamancheh has several varieties, its construction and features are generally similar.

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SettingsRahim Daste Abnos removeSETAR MOSHTAGH removesetar khati ustad khalil (Burning) removeTanbur Diba removeTanbur Master Khalil removeTantar Majzob combine(Tanbur va Setr ) remove
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ContentKamancheh's bowl is spherical and the arm is fretless. His face is pulled from the veil of bovine liver, the skin of fish or camels. This musical instrument, which used to be 3-stringed, in other words, has now become 4-stringed. Kamancheh, one of the oldest musical instruments in Azerbaijan, is 70 cm tall. It has a chord system determined in accordance with the type of melodies and the authority read. The most commonly used chord in all this chord system is the 5-4-5 system. While the stem of Kamancheh is made of plum wood, its body is formed by carving the walnut wood. The walnut tree must be kept for a while in order to form its trunk. Its total weight is about 1-1.5. Springs are custom made. It is drawn only by hand, not with any apparatus such as a violin bow, and there are quite a lot of them. The springs are made of juniper wood, while the strands are made of horse hair. Holes are drilled in the front and back of the body and the front is covered with fish skin. The bows are wrapped around the bowl-shaped body and Kamancheh is completed. Even if Kamancheh has several varieties, its construction and features are generally similar.The setar is a Persian (Iranian) stringed instrument with a small, pear-shaped soundbox and four metal strings. Its name means “three strings.” A fourth drone string was added about 150 years ago by the mystic Moshtagh Ali Shah. The drone string is referred to as the “Sim Moshtagh” (Moshtagh string) by many prominent tar and setar players. This modification gave the delicate instrument a “bigger” sound and more complex tuning possibilities. The resonating box of the setar is attached to a long neck that has twenty-five gut frets. The soundbox is made from mulberry wood, while the neck comes from the walnut tree. The instrument has a melodic range of just over twenty scale degrees. Although it is traditionally played with the right index finger’s nail, in the past three decades, two distinguished master performers, Mohammad-Reza Lotfi and Hossein Alizadeh, have introduced new techniques to give setar playing a whole new life. Albumin is an appealing carrier in nanomedicine because of its unique features. First, it is the most abundant protein in plasma, endowing high biocompatibility, biodegradability, nonimmunogenicity, and safety for its clinical application. Second, albumin chemical structure and conformation allows interaction with many different drugs, potentially protecting them from elimination and metabolism in vivo, thus improving their pharmacokinetic properties. Finally, albumin can interact with receptors overexpressed in many diseased tissues and cells, providing a unique feature for active targeting of the disease site without the addition of specific ligands to the nanocarrier. For this reason, albumin, characterized by an extended serum half-life of around 19 days, has the potential of promoting half-life extension and targeted delivery of drugs. Therefore, this article focuses on the importance of albumin as a nanodrug delivery carrier for hydrophobic drugs, taking advantage of the passive as well as active targeting potential of this nanocarrier. Particular attention is paid to the breakthrough NAB-Technology, with emphasis on the advantages of Nab-Paclitaxel (Abraxane), compared to the solvent-based formulations of Paclitaxel, i.e., CrEL-paclitaxel (Taxol) in a clinical setting. Finally, the role of albumin in carrying anticancer compounds is depicted, with a particular focus on the albumin-based formulations that are currently undergoing clinical trials. The article sheds light on the power of an endogenous substance, such as albumin, as a drug delivery system, signifies the importance of the drug vehicle in drug performance in the biological systems, and highlights the possible future trends in the use of this drug delivery system.Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick. Based on 3 statues found in the ruins of Shoosh, Tanbur can be dated back to 1500 B.C. Persian Tanbur travelled through Iran and Syria to Turkey and Greece and further west to Egypt. The Egyptian version has an elliptical body. It is known that Tanbur was widely used during the Sasanid dynasty and even before that. Today, Tanbur is used in mystical circles to accompany the Darvishes’ chants and mantras and is usually accompanied by Daf on such occasions.The tanbur is an ancient instrument that has assumed various shapes and sounds over the centuries. The simple sonority of this instrument, alternating between dry and soft, has something immaterial, abstract, and even ascetic about it that renders it suitable for spiritual music. In Iran, the tanbur was among the instruments that were played in the Sassanid court. Later, certain Kurdish religious groups adopted it as a sacred instrument and have been using it ever since to accompany their sacred hymns and ceremonial dances.Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick. Based on 3 statues found in the ruins of Shoosh, Tanbur can be dated back to 1500 B.C. Persian Tanbur travelled through Iran and Syria to Turkey and Greece and further west to Egypt. The Egyptian version has an elliptical body. It is known that Tanbur was widely used during the Sasanid dynasty and even before that. Today, Tanbur is used in mystical circles to accompany the Darvishes’ chants and mantras and is usually accompanied by Daf on such occasions.
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