Description
The Santoor is an Instrument with approximately 100 strings which originated in the Himalayan Valley of Kashmir. Originally known as “Shata Tantri Veena” (Sanskrit version of one hundred strings), which has close relatives in British and American “Hammer Dulcimer”, Chinese “Yang Chin” and the east European “Cimbalom”. Santoor, which originated from Vedic “Vana Veena”, is characteristic of Kashmir Valley and is neither seen or played any where played. The “Vana Veena” also had strings and was played with sticks. In the orient the fundamentals of this instrument is no doubt very ancient. It seems that the origin goes back to Assyrians and Babylonians. An instrument, which at the same breath could give the audiences a feel of melody and rhythm naturally, had much to offer in terms of musicality. The emergence of Santoor as a popular Indian classical instrument has of course been due to the presence of stalwart Pandit Shiv Kumar Sharma. However, its roots are necessarily from the Durbars of Sufi heretics of Kashmir, where its folk origins were interspersed with Hindustani classical music.
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Settings | Santor Tanin daraje 1 remove | Tanbur Master Khalil ( Striated) remove | Setar Vahed remove | setar Master khalil (Mosaic model) remove | Tanbur Majzob (Throat 3stamp) remove | Setar Master Godarzi remove |
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Content | The Santoor is an Instrument with approximately 100 strings which originated in the Himalayan Valley of Kashmir. Originally known as “Shata Tantri Veena” (Sanskrit version of one hundred strings), which has close relatives in British and American “Hammer Dulcimer”, Chinese “Yang Chin” and the east European “Cimbalom”. Santoor, which originated from Vedic “Vana Veena”, is characteristic of Kashmir Valley and is neither seen or played any where played. The “Vana Veena” also had strings and was played with sticks. In the orient the fundamentals of this instrument is no doubt very ancient. It seems that the origin goes back to Assyrians and Babylonians. An instrument, which at the same breath could give the audiences a feel of melody and rhythm naturally, had much to offer in terms of musicality. The emergence of Santoor as a popular Indian classical instrument has of course been due to the presence of stalwart Pandit Shiv Kumar Sharma. However, its roots are necessarily from the Durbars of Sufi heretics of Kashmir, where its folk origins were interspersed with Hindustani classical music. | Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick. Based on 3 statues found in the ruins of Shoosh, Tanbur can be dated back to 1500 B.C. Persian Tanbur travelled through Iran and Syria to Turkey and Greece and further west to Egypt. The Egyptian version has an elliptical body. It is known that Tanbur was widely used during the Sasanid dynasty and even before that. Today, Tanbur is used in mystical circles to accompany the Darvishes’ chants and mantras and is usually accompanied by Daf on such occasions. | Setar is a string or stringed instrument. In these musical instruments a stretched vibrating string produces the initial sound. They are called Chordophones as well. "Setâr" consists of "Se" and "Târ". The word "Târ" means string and the word "Se" means three in Persian and for this reason "Setâr" means a stringed instrument with three strings. Setar is a plucked string instrument and and the right index finger nail is used as a plectrum to pluck or strum the instrument. Setar is a fretted string instrument, thus the instrument has frets that have been tied on the neck. Setar is one of the main instruments of Persian art music. | Mohammad Omar Khalil (b. 1936), a painter, master printmaker and mentor, practicing since the 1960s, is one of the most significant artists of his generation from Sudan and the Arab world. A long overdue celebration of his life’s work, Homeland Under My Nails, is the first major UK solo exhibition of his work. | Tanbur has epic, mythical and mystical characteristics and it is often used to accompany the narration of epics. This instrument has traveled far and wide in time and space and it has taken on different names and shapes. The neck and body of Tanbur is one whole piece similar to Setar. Between 10 to 15 frets are placed on Tanbur. Iranian Tanbur has 4 strings and as mentioned before is played without a pick. Based on 3 statues found in the ruins of Shoosh, Tanbur can be dated back to 1500 B.C. Persian Tanbur travelled through Iran and Syria to Turkey and Greece and further west to Egypt. The Egyptian version has an elliptical body. It is known that Tanbur was widely used during the Sasanid dynasty and even before that. Today, Tanbur is used in mystical circles to accompany the Darvishes’ chants and mantras and is usually accompanied by Daf on such occasions. | Persian tar is a long necked, double-bowl body instrument. Persian Tar is a string or stringed instrument. It is the newest musical instrument of Persian folklor. It only dates back to 250 years ago. It's current form was developed in the 18th century. Iranians say that Tar is the sultan of instruments. It is strongly believed that Tar is the descendent of rubab which is played in Pakistan and Afghanistan. After is has been adopted to Persian art by the musicians it became a common urban instrument. The long and narrow neck of Tar has a flat fingerboard which ends with six wooden pegs. It has three courses of double "singing" strings which lies on the fingerboard There are also two pairs of shorter strings which is under the bass and over two small copper bridges on the upper side of the fingerboard. Tuning of these strings are variable according to the performer's taste. |
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