Description
The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour
The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar.
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| Content | The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar. | This collection includes the introductory line of Abu Atta, Bayat Turk, Afshari and Dashti instruments and songs, which were first compiled by Professor Musa Maroufi from different rows and simply summarized and arranged for the students. These notes were kept for years in the library of the National Conservatory of Music, and students used their manuscripts. This collection has been recorded and performed by Hossein Alizadeh with Setar in the form of two CDs separately. | General chapters of the book:
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