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The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour

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The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour

The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar.

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SettingsThe color book of the city of chaos in passion by Faramarz Payvar, published by Mahour removeHezar Dastan (40 Santour Songs) removeThe book of fifteen pieces for tar and setar - Jalil Shahnaz removeThe introductory row book of Tar and Setar, the third book of the conservatory removeThe book is twenty-five pieces in advance removeDaf training from beginner to excellent Siamak Azizzadeh remove
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ContentThe color book of the city of chaos in passion by Faramarz Payvar, published by Mahour The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar.     This collection includes the introductory line of Abu Atta, Bayat Turk, Afshari and Dashti instruments and songs, which were first compiled by Professor Musa Maroufi from different rows and simply summarized and arranged for the students. These notes were kept for years in the library of the National Conservatory of Music, and students used their manuscripts. This collection has been recorded and performed by Hossein Alizadeh with Setar in the form of two CDs separately.General chapters of the book:
  • Def training
  • Daf officials
  • A look at rhythms and rhythm theory
  • Seventy-five pieces of daf solo
Based on the available evidence and works, it is possible to understand the long history of the daf and history shows that the passage of time has changed its appearance and music. The emergence of a new style of music, which can be called mystical music, led to the presence of this instrument in the field of traditional Iranian music, but most people knew and imagined the daf as a rhythm inducer and accompaniment of other instruments in music groups. Its solo capability is very limited. The maneuverability of the instrument was also limited to monastic rhythms or daf instruments. Daf training from beginner to advanced Siamak Azizzadeh has been written in order to change this type of attitude and highlight the daf solo dimension. This collection is the first book in which daf solo in different parts of daf and education are collected together. In writing the book of daf training from beginner to excellent Siamak Azizzadeh, a single line carrier has been used. The main reason for this choice is as follows: All over the world, carrier lines have a defined frequency.
 
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