Description
The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.
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Content | The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past. | General chapters of the book:
| Notation of Darvish Khan works by Arshad Tahmasebi. In the introduction of the book, the author states: "What I wanted to do was to collect and make available the works of Iranian composers and Darvishkhan as the first of them. . I hope this important thing is done. A collection of Darvish Khan works is now being published according to the list given by Master Ruhollah Khaleghi in his book (History of Iranian Music). There are differences in the narration of the works of the past. "I have tried to cite the most accurate narrations from Darwish Khan's works." This collection has been recorded and performed separately in the form of a CD by Arshad Tahmasebi. | |||
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