Tonbak Helmi is a traditional piece of walnut wood

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SettingsTonbak Helmi is a traditional piece of walnut wood removeBook of Lovers Volume One removeSantour Elementary School removeIntroductory Piano Tutorial by Ferdinand Beer removeDaf training from beginner to excellent Siamak Azizzadeh removeDarvish Khan Collection of Books remove
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ContentProduct Features: Weight: 310 grams Number of pages: 127 Cut: Rahli Cover Type: PaperbackProduct Features: Weight: 300 grams Number of pages: 124 Cut: Rahli Cover Type: PaperbackGeneral chapters of the book:
  • Def training
  • Daf officials
  • A look at rhythms and rhythm theory
  • Seventy-five pieces of daf solo
Based on the available evidence and works, it is possible to understand the long history of the daf and history shows that the passage of time has changed its appearance and music. The emergence of a new style of music, which can be called mystical music, led to the presence of this instrument in the field of traditional Iranian music, but most people knew and imagined the daf as a rhythm inducer and accompaniment of other instruments in music groups. Its solo capability is very limited. The maneuverability of the instrument was also limited to monastic rhythms or daf instruments. Daf training from beginner to advanced Siamak Azizzadeh has been written in order to change this type of attitude and highlight the daf solo dimension. This collection is the first book in which daf solo in different parts of daf and education are collected together. In writing the book of daf training from beginner to excellent Siamak Azizzadeh, a single line carrier has been used. The main reason for this choice is as follows: All over the world, carrier lines have a defined frequency.
 
Notation of Darvish Khan works by Arshad Tahmasebi. In the introduction of the book, the author states: "What I wanted to do was to collect and make available the works of Iranian composers and Darvishkhan as the first of them. . I hope this important thing is done. A collection of Darvish Khan works is now being published according to the list given by Master Ruhollah Khaleghi in his book (History of Iranian Music). There are differences in the narration of the works of the past. "I have tried to cite the most accurate narrations from Darwish Khan's works." This collection has been recorded and performed separately in the form of a CD by Arshad Tahmasebi.
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