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Tonbak Helmi

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The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.

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SettingsTonbak Helmi removeThe color book of the city of chaos in passion by Faramarz Payvar, published by Mahour removeThe introductory row book of Tar and Setar, the third book of the conservatory removeTar and Setar introductory recipe book removeArena Net Base removeForty Pieces for Santour by Faramarz Payvar Mahour Publications remove
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The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.
The color book of the city of chaos in passion by Faramarz Payvar, published by Mahour The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar.This collection includes the introductory line of Abu Atta, Bayat Turk, Afshari and Dashti instruments and songs, which were first compiled by Professor Musa Maroufi from different rows and simply summarized and arranged for the students. These notes were kept for years in the library of the National Conservatory of Music, and students used their manuscripts. This collection has been recorded and performed by Hossein Alizadeh with Setar in the form of two CDs separately.Overview Venus note base with its unique shape and design, provides enough space to put the sheet music together. This note base is also equipped with a lever height adjustment system. Simply and only by pulling up or down a central bar metal lever, the base height Set. The height of this note base can be adjusted from 65 to 125 cm. This note base weighs only 850 grams; But it is able to withstand many times its own weight. The folding mechanism of this note base is very fast and convenient, and in the folded state with dimensions of 5 × 5 × 58 cm, it can be easily carried and carried with it. The Venus note base is one of the highest quality note bases on the market. Comes with cover.Buy a book of forty pieces for Santour by Faramarz Payvar, published by Mahour It includes works by Darvish Khan, Abolhassan Saba, Rokanuddin Mokhtari, Alinaghi Vaziri, Reza Mahjoubi, Musa Maroufi, Habib Samaei, Ali Akbar Shahnazi, Morteza Ney Davood and Ebrahim Mansouri, which has been arranged for santur by Faramarz Payvar. This collection has been recorded and performed in the form of two CDs separately by Shahpar Shoja Ardalan with Santour and accompanied by Tombak Ali Zeinali Deh Soori.
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