Tonbak Mehdi Pour wicks 24 cm

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The Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.

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SettingsTonbak Mehdi Pour wicks 24 cm removeLotfollah Majd's book, eighteen pieces for tar and setar removeThe book is twenty-five pieces in advance removeDaf training from beginner to excellent Siamak Azizzadeh removeBook of Lovers Volume One removeThe color book of the city of chaos in passion by Faramarz Payvar, published by Mahour remove
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ContentThe Tombak, also referred to as Zarb, is a wooden goblet drum, which is the most frequently played percussion instrument in Persian folk music and the classical Persian music of Iran. Contrary to the traditional crafting, the Tombak from Majid Drums is made from different, entirely handpicked woods. Since it is not cut out from a single piece of wood, the corpus won’t go out of shape over time. In addition, the Tombak of Majid Drums is tunable. An air hose system can be used to change the tension of the skins with a standard bicycle air pump. This form of tuning is both fast and balanced as the air hose directly and evenly spreads the tension to the skin. Heating or moistening of the skin is no longer necessary. This means that the problem of changing the mood with changing air humidity or heat stress is a thing of the past.This book is the ninth volume of the collection "Eternal Flowers" published by Saroud Publications and includes eighteen pieces by Lotfatullah Majd. The books of Immortal Flowers by Saroud Publications include a selection of works by many great Iranian musicians, which have been recorded according to their recorded performances and in many cases have been arranged for strings and strings.General chapters of the book:
  • Def training
  • Daf officials
  • A look at rhythms and rhythm theory
  • Seventy-five pieces of daf solo
Based on the available evidence and works, it is possible to understand the long history of the daf and history shows that the passage of time has changed its appearance and music. The emergence of a new style of music, which can be called mystical music, led to the presence of this instrument in the field of traditional Iranian music, but most people knew and imagined the daf as a rhythm inducer and accompaniment of other instruments in music groups. Its solo capability is very limited. The maneuverability of the instrument was also limited to monastic rhythms or daf instruments. Daf training from beginner to advanced Siamak Azizzadeh has been written in order to change this type of attitude and highlight the daf solo dimension. This collection is the first book in which daf solo in different parts of daf and education are collected together. In writing the book of daf training from beginner to excellent Siamak Azizzadeh, a single line carrier has been used. The main reason for this choice is as follows: All over the world, carrier lines have a defined frequency.
 
Product Features: Weight: 310 grams Number of pages: 127 Cut: Rahli Cover Type: PaperbackThe color book of the city of chaos in passion by Faramarz Payvar, published by Mahour The color of Shahr-e-Ashob is one of the very old colors of Iranian national music, which in fact can be considered as a complete percussion instrument (Shoor and its accessories, Abu Atta, Bayat Turk, Afshari and Dashti). It seems that this piece is not made by a master and its pieces have been made and collected by different masters and have reached us at present. This color does not belong only to the salt device, and other instruments of our music also have a color of the same name, which is mostly adapted and inspired by the color of the city of chaos. In this book, the color of the chaotic city in the salt machine for the dulcimer is written by Master Payvar. This collection has been recorded and performed separately in the form of a CD by Faramarz Payvar.
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